What do Gehraiyaan and Zindagi Na Milegi Dobara have in common? I’m sure you’re not aware, but an astute netizen just discovered that the houses of Gehraiyaan and Zindagi Na Milegi Dobara are identical.
“Naseeruddin Shah’s reel family resides in the same house,” the user stated. I’m sure you didn’t realize that until she pointed it out. Here’s the tweet:
The film Gehraiyaan, starring Deepika Padukone, Ananya Panday, Siddhant Chaturvedi, Rajat Kapoor, Naseeruddin Shah, and Dhairya Karwa, was released. Shakun Batra directed the film. For the unversed, Gehraiyaan is presently available on Amazon Prime Video and was launched on February 11, 2022.
Fans complimented the movie’s performers for their outstanding performances, but Nasseruddin’s performance stood out. He not only astonished the crowd with his incredible performance, but he also nailed every moment with his presence. Naseeruddin Shah played Alisha’s (Deepika Padukone) father in the film.
Following the film’s premiere, audiences had conflicting feelings about it. Some people adored the film, while others thought it lacked substance. Trolls have attacked the movie for encouraging infidelity. Karan Johar’s Dharma Productions, Viacom18 Studious, and Joushka Films produced the film.
The Home
An eagle-eyed netizen recently identified the home and general visuals in Gehraiyaan and Zoya Akhtar’s Zindagi Na Milegi Dobara. A Twitter user who shared the photographs commented, “Naseeruddin Shah’s reel family resides in the same house.” This resemblance between the two films quickly sparked outrage on the internet.
On the work front
Deepika presently has several exciting initiatives in the works. Pathan, Project K, The Intern, and Fighter are Deepika’s following projects. Ananya will be featured in Liger with Vijay Deverakonda. Puri Jagannadh directs the film, marking Ananya’s debut in Telugu cinema.
She also has Kho Gaye Hum Kahan, where she co-stars alongside Siddhant Chaturvedi and Adarsh Gourav. Siddhant will appear in Phone Bhoot with Katrina Kaif and Ishaan Khatter.
